Khachaturian, Aram – Trio for Clarinet, Violin, and Piano – Edition Sikorski Milhaud, Darius – Suite, Op b – Violin, Clarinet, and Piano – Editions Salabert. The star player on this fine showcase is clarinettist Ludmila Peterkova, a one-time graduate of the Prague Conservatory who has already recorded Bruch and.

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Trio for clarinet, violin & piano… | Details | AllMusic

He did not begin to study music as a child but at 19 took up the cello. Following years of study and practice, Khachturian would achieve an international reputation drawing praise from Prokofiev and Shostakovich his nearly exact contemporarywho, like Khachturian himself, won awards as well as withering censure from the Soviet state. The Khachaturian Trio dates from and was once promoted by Miaskovsky, no less.

Although he wrote very little for intimate ensemble a handful of duo character pieces, a violin sonata and a fugue for string quartetinat the age of 29, still a student, Khachturian composed a marvelous three-movement trio for clarinet, violin and piano.

Please enable JavaScript in your browser to use the site fully. Aram Khachaturian Trio in G Minor for Clarinet, Violin and Piano Aram Khachturian is generally celebrated as the foremost Armenian composer of the 20th century synthesizing European “classical” art music with striking elements of Eastern Eurasian folk music in a vivid nationalism that reflects multiple cultures under the sprawling aegis of Soviet Union.

Khachaturian, Trio in G Minor for Clarinet, Violin and Piano

The finale, Moderatois a set of nine variations based on an Uzbek folk melody, featuring several exotic intervals. The more moderate finale is a theme and variations based on an Uzbek folk melody giving Khachturian an ample vehicle for demonstrating the riches of this ensemble supremely suited to his unique style.

A young, provincial seventeen-year old Khachturian moved to Moscow to pursue a higher education, first in biology, then cello performance, and finally composition. The higher-sounding string clsrinet becomes more of a partner to the clarinet, sharing the melodic duties throughout the piece. Introspection Late Night Partying. Genre Chamber Music Classical. Like most of clarinnet repertory on the CD, it reflects the influence of folk-style music, improvisationally in the opening Andante con dolore, more assertively in the vigorous Allegro that follows.


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Khachaturian, Trio in G Minor for Clarinet, Violin and Piano

The opening grio, Andante con doloreis essentially a lyrical improvisation based on a khachahurian, mournful melody derived from an Armenian folk song, and decorated with arabesque embellishments. His talent was so great that he was admitted the Gneissin Institute, Moscow’s second most prestigious music school. Gramophone’s expert reviews easier than ever before.

The Trio dates from while Khachaturian was still studying with Myaskovsky, who was so impressed with the work that he arranged for it to be premiered in Paris. Aram Khachaturian was born in the Georgian city of Tiflis now Tiblisi. The opening Andante con dolore, kkhachaturian espressione is a duet for the clarinet and violin, almost improvisational, with the piano accompaniment adding a complex layer seemingly in rhythmic conflict with the other instruments.

Modal and chromatic scales swirl from the richly expressive voice of the clarinet and the rustic fiddling of the violin in a rich duet anchored by the piano’s rhythm, harmony and imitation.

In three movements, the trio displays Khachaturian ‘s trademark use of crossrhythms, folk songs, and harmonies that could be thorny at some times or bittersweet at others.

He was born and raised in Tbilisi, Georgia then part of the Russian empire where he was initially inspired by numerous folk music traditions from Armenia, Azerbaijan, Uzbekistan and Georgia. Here and throughout the trio, you hear the distinctive duo of undulating, decorative elaborations evoking a highly emotive, improvisational cantillation.

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Eventually, he served as a professor at both music schools. Jazz Latin New Age. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.


Prokofiev was so impressed with this piece that he was able to see that it was performed and published in Paris soon after it was completed. Khachaturian was still a student of Myaskovsky at the Moscow Conservatory in the early s when he wrote this trio for clarinet, violin, and piano, and yet it displays the same rhythmic and harmonic devices that mark his mature works. The finale is a spicy set of variations on an Uzbek melody and the style throughout is highly characteristic.

Trio for Clarinet, Violin and Piano. It takes extremely skilled ensemble players to make it sound right. With Khachaturian’s trio in particular, the pairing of the closely matched clarinet and violin creates a fascinating blend, a complex but seemingly spontaneous polyphonic unity of twin voices so characteristic of numerous Eastern European and Asian folk traditions. Bartok, Francaix, Khachaturian, Poulenc and others: The work is in three movements.

The Moderato finale is a set of variations on an Uzbekistani folk song, effectively contrasting the timbres of the instruments and showing off the clarinet as a folk instrument. Streams Videos All Posts.

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Melody and descant, call and response, haunting unisons and evocative intervals flow through a river of shifting tempi, mood and instrumental color that eventually grows soft and sorrowful until it flickers and fades into a deeply charged silence. An outstanding conductor and teacher as well, Khachturian is remembered today primarily for his orchestral music comprising symphonies, concerti, ballet and film music, his most popular “hit” being the Sabre Dance from the Gayane suite.

The trio features three movements in a somewhat novel pattern of slow — fast – slow.

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